Spend $50, Ship Free - Every Order, Every Time! • SHOP NOW
High Divers - Premium Quality Diving Gear for Professional & Recreational Scuba Divers - Perfect for Ocean Exploration, Pool Training & Underwater Adventures
High Divers - Premium Quality Diving Gear for Professional & Recreational Scuba Divers - Perfect for Ocean Exploration, Pool Training & Underwater Adventures
High Divers - Premium Quality Diving Gear for Professional & Recreational Scuba Divers - Perfect for Ocean Exploration, Pool Training & Underwater Adventures

High Divers - Premium Quality Diving Gear for Professional & Recreational Scuba Divers - Perfect for Ocean Exploration, Pool Training & Underwater Adventures

$27.5 $50 -45% OFF

Free shipping on all orders over $50

7-15 days international

15 people viewing this product right now!

30-day free returns

Secure checkout

43428776

Guranteed safe checkout
amex
paypal
discover
mastercard
visa
apple pay

Description

Want to get attention? Make a big splash. Seven aquatic stars simultaneously dive in an intricate pattern during the opening of the new Los Angeles Swimming Stadium on April 7, 1932. Later in the year, the $200,000 stadium, with a seating capacity of 10,000, would be center stage to aquatic events in the Summer Olympics.

The 1932 Olympics helped put Los Angeles on the world’s sports map, despite the Great Depression. Before the Games opened, The Times wrote, “In view of the hard times in which the country is struggling, the scramble for reservations to the games has been almost phenomenal. Some of the events, such as swimming, rowing and fencing, are already sellouts for their entire duration.” The Times added that 150,000 people were expected to watch the Olympic events daily, good for an estimated $5 million gate. “The country may be in the midst of a depression, but there is no sign of it here.” Now called the John C. Argue Swimming Stadium, the facility was opened to the public after the 1932 Olympics ended. Over the years, the stadium has seen such swimmers-turned-actors as Clarence "Buster" Crabbe, Eleanor Holm and Esther Williams.

This made-to-order image is printed on giclée archival photo paper and is available framed or unframed. Framed photography comes ready to hang with a removable wire attached to the back. Choose from a lightweight ayous wood or a gold or silver metal frame to customize the frame best suited to your space. The print comes from The New York Times’s extensive archives, known as the “morgue,” which houses more than five million photographic prints that date back to 1905. It is available exclusively from The Times Store.

We value your privacy

We use cookies and other technologies to personalize your experience, perform marketing, and collect analytics. Learn more in our Privacy Policy.

Top